Every 'Wuthering Heights'-inspired outfit Margot Robbie has worn, ranked from worst to best

The actor was photographed wearing a sleeveless dress by Mark Gong. It had a white printed bodice, a red satin bralette, and a black mesh overlay.

The outfit’s layered design looked unfinished, and it was a little too understated to be paired with the designer’s leather wrap heels.

Robbie attended the radio interview alongside her costar, Jacob Elordi, and musician Charli XCX, who worked on the film’s music.

She wore a black Vivienne Westwood minidress for the Q&A event.

The sleeveless piece had a scooped neckline, a corset top, and a bubbled miniskirt. It was a cute dress, but it ultimately needed some accessories to make it pop.

Robbie attended that event in a vintage John Galliano ensemble. It comprised a dramatic, corseted coat with pink feather embellishments and a black micro miniskirt.

She also wore red thigh-high socks and silver heels.

Though the individual pieces she wore were fun, they weren’t cohesive as an outfit.

For one London outing, Robbie wore a Dilara Findikoglu ensemble. It featured skinny trousers with buckled straps, a red-and-pink corset top, and pointed leather heels.

She also carried a leather jacket, a purse, and wore oval-shaped sunglasses.

The outfit might not have been the flashiest she wore on the “Wuthering Heights” press tour, but it did blend modern design with Victorian aesthetics perfectly.

She wore a custom Thom Browne design for a photo event in Paris.

The black gown had off-the-shoulder sleeves, a corseted minidress, and an attached skirt with visible garters. It was pretty, edgy, and accessorized well with a choker necklace.

Robbie attended a “Wuthering Heights” photo call in Paris on February 2. She wore Chanel for the occasion.

Her sleeveless gown had a corseted velvet top, with the red fabric extending across its white full skirt and long train. She also wore a velvet choker with a statement diamond weighing over 100 carats.

The latter was designed by Lorraine Schwartz.

The outfit was elegant and on theme, but it would have been nice to see Robbie highlight it further with an updo.

Styled by Andrew Mukamal, Robbie wore Alexander McQueen for the late-night show.

Her black-lace dress had long sleeves, a high neckline, and a keyhole cutout down its bodice.

To complement the see-through piece, Robbie wore black aviator sunglasses, beaded heels, and a long, wavy hairstyle.

She also donned one-of-a-kind earrings from Jessica McCormack. The sparkling jewelry featured large, pear-shaped diamonds that weighed 15 carats combined.

For a photo shoot at Greystone Mansion, Robbie wore a red leather set by Turkish designer Dilara Findikoglu.

The snakeskin set featured a corset that highlighted a shell-covered bra, a long-sleeved bolero jacket with laced sleeves, and a micro miniskirt with flared detailing.

On Instagram, her stylist said the look was inspired by a line from the “Wuthering Heights” novel: “I’d rather be hugged by a snake.”

They accessorized the standout look with a Jessica McCormack necklace. It featured a 10-carat, pear-shaped diamond on a red cord.

She arrived in a Schiaparelli couture gown that might go down as one of the best she’s ever worn.

The strapless design featured a structured, lace bodice with a sweetheart neckline, a black velvet peplum skirt, and a striking red hem that surrounded her like flower petals.

Robbie paired the gown with a heart-shaped necklace that once belonged to Elizabeth Taylor.

The gold Cartier piece houses the late star’s iconic Taj Mahal diamond, which was gifted to Taylor by her former husband Richard Burton on her 40th birthday.

Vogue reported that the necklace, which also features a jade mount and ruby stones, is inscribed with the phrase “Love is Everlasting” and the name Nur Jahan, who was the jewel’s first owner.

Dilara Findikoglu created her gown, which was see-through and covered in strands of braided hair. It was entirely unique in design and equally unforgettable.

She also wore a replica of The Bracelet of Charlotte, a mourning jewelry piece belonging to Charlotte Brontë.